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3.2 Color Chooser
Before unleashing the fury, the operator must define the color relationship between the line and the background. The color chooser provides some functionality that aids the operator to this end. The frame is split into a specific color matcher and a gross color matcher. For the specific color matcher, the operator takes a snapshot from the Image Capture Frame, then outlines all areas that roughly correspond to the line using a Rectangular Region Selection tool. From the union of all these rectangular regions, the frame computes the lowest and highest color values for red, green, and blue, respectively. The 6 emerging values are then used as a template for reducing the 24-bit color capture to 2 colors: white line and black background. This particular tool captures precise border lines, given only one image. However, because lighting may change somewhat throughout the environment, this tool does not provide the margin of color fades from line to background. For this reason, we have included a gross color matcher, which is divided into 6 sliders. Three of these sliders represent the lower bounds for red, green, and blue; the other three represent the upper bounds. The operator may use these color sliders to adjust the border between line and background so as to obtain a more flexible setting. In any case, however, line color may always occur in the background, depending on the floor's condition and the transmission quality of the wireless camera. Certain fuzz is automatically detected, as will be explained later.
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Figure 1.4: Color Chooser Frame Click to enlarge
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